Category Archives: illustration

Eat Your Heart Out…sickening sponges, monstrous macaroons and bubonic biscuits

This weekend, courtesy of Curator of St Bartholemew’s Pathology MuseumCarla Connolly, a few members of the WI, twenty bakers – including the famed Miss Cakehead - and a selection of medical practitioners, St Bart’s has been transformed into a feast of sickening sponges, monstrous macaroons and bubonic biscuits.

This collaboration aims to raise awareness of St Bart’s Pathology Museum which has recently been under threat, and with an accompanying series of lectures to educate the public about those diseases which continue to plague our society today.

Although food is guaranteed to bring followers, the reasons for this particular meeting of baking and body parts is far more complex, as explained by Carla in her brilliant lecture: Mourning Coffee. As Carla is not only the museum’s curator, but also co-creator of Eat Your Heart Out 2012 and a fully qualified Mortuary Technician, the talk was incredibly informative but interesting with her evident passion for this project.

These syringe shots of rum, cocktail-filled specimen jars and hundreds of cakes may be tasty (coffee sponge with oozing yellow puss was a favourite), but they are primarily educational. Food is a necessity, so we automatically identify with it  - even sicknesses have been named after some of our most loved ingredients:

“Maple syrup urine”

“Icing sugar spleen”

“Nutmeg liver disease”

Food is life, and with life comes death so it is no wonder that food has had its part in death ceremonies since the beginning of time: the Neanderthal’s endo-cannibalism, the Druid’s sacrificial decisions dictated by Bannock cakes, the Celtic feast of the dead – or Halloween, ‘Sin Eaters’ in the Middle ages, and finally the Victorian’s more refined take on it all, Funeral Biscuits.

In death, life – and therefore food -should be celebrated; this tradition sadly came to an end after the First World war as obviously there would have been a national shortage of flour, and bakers would have been adding to the death toll through exhaustion, but perhaps it is time we bring back this ritual.

I’m not suggesting we start gnawing on each other’s toes, or that tables at wakes should be stacked with calloused cupcakes or maggot infested muffins; but the Victorian funeral biscuits with their poems of remembrance and beautiful illustrations seem fitting, appropriate, as there is no doubt that investing time and care into making something to commemorate the dead is more meaningful than a party rings and sausage rolls spread. This is something which boutique foods company Animal Vegetable Mineral are advocating, bringing back, and something I rather support: the act of baking is lengthy, considered and therapeutic, and with the funeral biscuit creates a collective mourning  - slightly sweetened with a smooth buttery taste.

This weekend of culinary mastery and anatomy celebrates life, acknowledges death and encourages that we learn all we can about the both of them – whilst nibbling on chocolate stool samples and licking sticky strawberry blood of our fingertips.

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Gemma Correll wrote a book about me.

More from Comica Comiket!

 Not only was I bringing my dear friend coffee on Saturday, I also got to have a good snoop at Comica Comiket and discovered this illustrator, Gemma Correll. I’m not normally into childlike drawings but I sort of fell in love with these Zines and prints – mainly because they actually narrate my life. It’s uncanny.

I am the above image at the moment, last three weeks of uni are killing me. Meh.

Anyway here’s a little insight into the problems of scatty, disorganised, hypochondriac, creative types.

And me.

…I leave a trail of these like Hansel and Gretel’s breadcrumbs…

…hypochondria vastly increased by third year stress levels…

…cats are far more interesting than silly pretty boys with tattoos on their necks and deep Vs…

…at least you can always rely on one thing to make it all better!

That is why tonight will be red wine fuelled, yay!

More pugs, cats, dry wit and less me-related-stories from Gemma Correll can be found here.

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Kristjana S Williams…hybrids, psychedelia, festivals and fashion

Last weekend I managed to get down to London from Birmingham (my supposed home) to catch Pick Me Up graphic art fair just before it closed. My housemate and I ran to the station to make sure we got a train, we paid on the day so it wasn’t cheap, we rushed to Pick Me Up to make sure we had enough time to absorb all the wonderful illustrations we expected to find…and were sorely disappointed. Last year was brilliant, this year was just incredibly commercial: typography pieces displaying ordinary ‘quirky’ phrases, over priced drawings that just weren’t that good and worst of all, my pet hate, ‘naive’ art. Don’t even get me started – if you can’t draw either learn, or do not draw. There is no talent in drawing like a five year old, really it just makes me angry. No wonder mainland European galleries have recently been chatting about how little respect they have for British art – where’s the craftsmanship!? Where!?

Luckily I did find a few gems, four in total. Well four I was reasonably impressed by, this artist is the favourite…I haven’t decided yet whether the other three are blog-worthy. Wait and see! For now it’s Kristjana S Williams, she went to art school in the UK so it’s not drawing but collage of course! No, but honestly it is beautiful collage and there’s a bit of Victoriana in there, so for me her work is a winning lot. I didn’t get to see any of her huge works at Pick Me Up like those huge canvases you can see up the top there, but her smaller pieces are gorgeous too and I suppose there are also those tiny details which add to it all and really draw you in.

Weirdly, last year I was at the Food Festival in Brighton just by accident and on one of the tables I found a flyer for Wilderness festival which I kept – not just because I wanted to go to the festival, but because I loved the illustrations. I couldn’t find out who’d done the artwork for them from the Wilderness website and I scoured the web to find out  the artist’s name, then a couple of days ago hopped onto Kristjana William’s webby and there it was! So I suppose I’ve admired her for a while.

And I still want to go to this festival. Maybe this summer…

Not only does Williams do pieces for little festivals, she’s also worked on wall murals at the V&A for the London Design Festival which are just MMM! I’m currently having my room redecorated, I can’t quite afford a bespoke Kristjana S Williams mural however I’ve got the imitation curtains down to a ‘t’, birds of paradise and everything.

Last but certainly not least, she is in fact the Creative Director of Beyond The Valley home and fashion store in London’s West End – Victorian illustrations merged together into multicoloured impossible animals in my room and on my clothes!? Go on then.

Kristjana S Williams is doing ridiculously well for herself, so I’m off to grab some old books, inks and a scalpel: non-overdraft pennies, here I come.

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Pick Me Up again please…

I may have mentioned this a few posts ago, but Pick Me Up is back this year! Somerset House will be absolutely jam packed with illustrations, typography, graphic design, animation, film and installation from the most exciting up and coming artists based in the UK. It’s big enough to be amazing value for money but small enough that you don’t get exhausted (and if you do, last year there were giant bean bags in the film room to collapse on), there’s work to buy from just a tenner and, the best bit, I don’t think last year’s show contained one piece of boring art. Not one!

This year it’s on from the 22nd March until the 1st of April so I shall be pottering through at some point during my Easter break.

Last year, however, I went down on St Paddy’s day, so unfortunately my photo album ‘Pick Me Up’ is more of a record of every beverage served in every pub in East London – plus a curry – than a decent representation of the art fair. Anyway, I did manage to salvage these few piccies, if you like then head to Somerset House for an Easter outing. It’s only a fiver for a little cultchaaa, a LOT of inspiring material and for all that educational hard work you can surely reward yourself with a belated St Paddy’s bevvie!

I’m afraid I don’t have the names for every artist featured, but I’ve tried to hunt down a few.

The above image is by Seiko Kato, seriously amazing paper collage artist, and next up is Polly Becker, assemblage maker and ink illustrator.

Possibly more Miss Becker….

Julien Roure….

I’m afraid I’m not sure who the star sign etchings are by, I’ve been googling away but to no avail!

Last but not least, an alphabet illustration by Jessica Hische - her website is VERY nice. Worth a snoop.

Pick Me Up: most interesting art fair I’ve ever been to and all for the price of a Pret a Manger salad, can’t argue with that!

xxx

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Henry Darger… extraordinary escapism.

This is possibly one of the most fascinating tales I’ve ever come across…

Set on a large planet around which Earth orbits as a moon, inhabited mostly Christian people, a species called the Blengigomeneans, gigantic winged beings with curved horns who occasionally take human form, and the evil Glandelinians, is the longest illustrated novel in history written by one solitary janitor in a single room in Chicago, over a half century period.

A Blengigomeneans or Blengian, winged creatures who aid the Vivian Girls in their rebellion.

Henry Darger was a recluse who settled in a second-floor room of an apartment building in 1930, it was here that he stayed for the last 43 years of his life to finish The Story of the Vivian Girls:What is known as the Realms of the Unreal,of the Glandeco-Angelinian War Storm Caused by the Child Slave RebellionWith fifteen volumes totalling 15,145 pages it is possibly the longest novel ever written, and it contains several hundred colour illustrations and paintings – some up to 10ft long. The book follows the adventures of seven princesses of the Christian nation of Abbieannia, the daughters of Robert Vivian, who fight against an evil regime of child slavery imposed by the Glandelinians.  Darger had worked all of his life to protect children, relating to them better than adults, he even tried to adopt a child at one point but a history including spells in several mental institutions meant that any applications were rejected.

The girls are sometimes represented as hermaphrodites, and behave like men, while the scenes themselves range from cheerful and innocent to much darker imagery.

Darger couldn’t fully communicate with the outside world and so was shunned, it was only in his books that he could live freely and created an alternate identity: General Darger.

Darger spent most of his life alone, only to be seen regularly searching bins for old newspapers and magazines from which he took some of his inspiration. It was never expected that he was turning these into art.

His life works which included the Vivian Girls, an autobiography and several other small volumes were found in his one-room apartment after his death in 1973.

For more info, Jessica Yu made a documentary in 2004 about the life and works of this elusive artist – here’s a trailer…

I’m going to go to university now and scour the library for this DVD, outsider art – they love that stuff!

Darger’s works are now held by the American Folk Art Museum in New York which also runs The Henry Darger Study Centre in which the books themselves can be flicked through.

A tragic story but these amazing works are a little silver lining at least…

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Waking up to The White Deer.

Sigh. Monday morning. I’d say this illustration is a pretty accurate portrayal of how I’m feeling today – fed up, tired and I wouldn’t say no to a hug from a ghostly man. These mixed media illustrations are all the work of Peony Yip, she’s an amateur illustrator so none of it’s absolutely perfect but I think there’s more to the images than technical ability, there’s emotion and I like that.

I especially like this simple series of red and black morphs, simple but it really works.

…and who can say no to a few fashion mag style animal heads?

This has all got me rather excited for Pick Me Up this year; the superduper graphic art fair at Somerset House which features all the best from around the UK and prices start at a meagre tenner. This year I shall be picking up some totes and posters. Comfort shopping, always works.

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Brian Dettmer: Textidermy.

While looking at Georgia Russell, I discovered another book-art fanatic, Brian Dettmer. However instead of tearing up pages to make completely new sculptures, Dettmer uses the texts’ existing words and images to tell new stories, create complex illustrations and to make strong statements.

“The completed pieces expose new relationships of a book’s internal elements exactly where they have been since their original conception.” – Dettmer

Dettmer describes his practise as “reading with a knife”: when he starts cutting through the pages he has no idea what he’ll come to so he decides upon his story and composition whilst he works.  This above image is a mechanical book from the 1940s and through isolating particular words and phrases Dettmer has transformed the clinical, instructive language into poetic lines and verses, carefully illustrating these with pieces of the existing mechanical diagrams.

Here’s a sneek peek inside his studio: Dettmer seals the edges of his books before using surgical tools to dissect each volume, slowly revealing words and images to form his intricate drawings and statements.

…so that’s how he does is, here’s the man himself explaining why

I’m at home this weekend so surrounded by bookcases, which are suddenly beginning to look rather a lot more interesting – hacking up Mother’s books, the perfect procrastination technique to avoid making my website. Hrmmm…

HAPPY SUNDAY EVERYONE!

- Tracey Emin on a good day.

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Peter Callesen’s Perplexing Papercuts!

Just came across these and I liked them. I wish I had Peter’s patience…

This tower of Babel is one of Callesen’s smaller ones and its still 182cm high…impressive…

Walls of Unwritten Words

I’m thinking of casting feathers in porcelain as part my next piece for uni, possibly why these fallen feathers drew me to Callesen in the first place. Glad I found him. Enjoy :)

Tomorrow I will be scouring my local park for goose feathers, looking like a tramp and possibly contracting Salmonella – oh how I love Sundays!

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Maurizio Anzeri: lusting after works I’d love to hate.

Customising found objects, mucking about with vintage photos – yeuch, over done, far too trendy and usually I am not a fan. However Mr Anzeri here has changed my mind.

It’s gaudy, not particularly imaginative and unabashedly commercial but you know what, I’m sold.

His recent work with Richard Burbridge and Robbie Spencer for Dazed and Confused is just damn sexy.

Sometimes looking good on a wall is all you need.

 

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New year. New start. Shiny new calendar!

Celebrating the great grim grey British sea side. It’s ours and it’s beautiful just the way it is.

I spotted this Margaret Howell calendar today, whilst doing my lazy tradition of ploughing through every Sunday mag I can get my hands on. Today was extra special seeing as I was accompanied by A Christmas Carol, two big labs and a roaring fire – it’s so good to be back home for Christmas!

Howell produces a calendar every year to compliment her range of clothing and home wares,  this year’s Sea and Coastline calendar features work by twelve different British printmakers and is made in association with Emma Mason Gallery.

I’ve loved Christmas shopping this year, spending hours picking out, or making, the perfect present for all those special people and so maybe, just maybe, I can treat myself to this little gem. It’s a bargain, and you never know, it may actually turn me into some kind of organised person. Unlikely but I can dream!

Seven sleeps til Chrissstttmaaaassssssssssss!!!!

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