Category Archives: photography

Eat Your Heart Out…sickening sponges, monstrous macaroons and bubonic biscuits

This weekend, courtesy of Curator of St Bartholemew’s Pathology MuseumCarla Connolly, a few members of the WI, twenty bakers – including the famed Miss Cakehead - and a selection of medical practitioners, St Bart’s has been transformed into a feast of sickening sponges, monstrous macaroons and bubonic biscuits.

This collaboration aims to raise awareness of St Bart’s Pathology Museum which has recently been under threat, and with an accompanying series of lectures to educate the public about those diseases which continue to plague our society today.

Although food is guaranteed to bring followers, the reasons for this particular meeting of baking and body parts is far more complex, as explained by Carla in her brilliant lecture: Mourning Coffee. As Carla is not only the museum’s curator, but also co-creator of Eat Your Heart Out 2012 and a fully qualified Mortuary Technician, the talk was incredibly informative but interesting with her evident passion for this project.

These syringe shots of rum, cocktail-filled specimen jars and hundreds of cakes may be tasty (coffee sponge with oozing yellow puss was a favourite), but they are primarily educational. Food is a necessity, so we automatically identify with it  - even sicknesses have been named after some of our most loved ingredients:

“Maple syrup urine”

“Icing sugar spleen”

“Nutmeg liver disease”

Food is life, and with life comes death so it is no wonder that food has had its part in death ceremonies since the beginning of time: the Neanderthal’s endo-cannibalism, the Druid’s sacrificial decisions dictated by Bannock cakes, the Celtic feast of the dead – or Halloween, ‘Sin Eaters’ in the Middle ages, and finally the Victorian’s more refined take on it all, Funeral Biscuits.

In death, life – and therefore food -should be celebrated; this tradition sadly came to an end after the First World war as obviously there would have been a national shortage of flour, and bakers would have been adding to the death toll through exhaustion, but perhaps it is time we bring back this ritual.

I’m not suggesting we start gnawing on each other’s toes, or that tables at wakes should be stacked with calloused cupcakes or maggot infested muffins; but the Victorian funeral biscuits with their poems of remembrance and beautiful illustrations seem fitting, appropriate, as there is no doubt that investing time and care into making something to commemorate the dead is more meaningful than a party rings and sausage rolls spread. This is something which boutique foods company Animal Vegetable Mineral are advocating, bringing back, and something I rather support: the act of baking is lengthy, considered and therapeutic, and with the funeral biscuit creates a collective mourning  - slightly sweetened with a smooth buttery taste.

This weekend of culinary mastery and anatomy celebrates life, acknowledges death and encourages that we learn all we can about the both of them – whilst nibbling on chocolate stool samples and licking sticky strawberry blood of our fingertips.

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Yoko Ono: The original Tracey Emin.

Yoko Ono: TO THE LIGHT

19th June  - 9th September 2012

Way back at the end of June I went along to the Serpentine Gallery – and accordingly co ordinated a maze of Olympic barriers – to see Yoko Ono’s TO THE LIGHT. The woman made famous for ‘destroying the Beatles’ appears on reflection to have been far more of an artist, activist and peace-maker than any sort of home-wrecker type – and the most startling comparison I drew from the whole thing is that she is the original Tracey Emin (just a whole lot prettier!)

The exhibition features work ranging from her bizarre acid-trip films from the late ’60s to her Wish Trees standing out front, from the glass structure Amaze to suspended army hats filled to the brim with puzzle pieces – it certainly is a retrospective, some of the work over fifty years old, but the same themes are withstanding throughout her work: pure, potent ‘flower power’.

I mean that in the least whimsical sense however: it is forcefully pacifist, passionately feminist and simply raw. While the show of course communicates all of Ono’s political views, it also gives an intimate insight into her relationship with John Lennon – even displaying her work Ceiling Painting, without which she may never have met Lennon.

Ceiling Painting was one of the works in this show that put you as a visitor in a tricky position: presented with a ladder, a magnifying glass and a tiny word painted on a canvas stuck to the ceiling, the idea is that you climb up the ladder, take the magnifier and read the word ‘YES’ scrawled across the white. But in the Serpentine, where you aren’t even allowed to take tiny little iPhone photos (I’m not bitter at all), I doubt this interaction is allowed – at the entrance of the exhibition I saw a member of staff taking puzzle pieces out of those army hats and handing them to the VIPs she was taking round – but after having been told off for taking snaps on my phone, I was not about to try touching the artwork.

These intimate works such as Ceiling Painting or her text pieces, her film Cut Piece and small bronze sculptural works were the stars of the show for me; they are also political as they do discuss women’s rights, but they are powerfully personal too. This is where the Emin similarity comes in: the tiny scrawl of Ono’s carefully written one-liners and her accusatory descriptions of “the doctor who…” enjoy far less fame than the very same works by Emin.

I’ve already slated Tracey Emin a fair amount in the past, but the more I see, the more I realise how much of her work is simply ‘appropriation’ i.e. shamelessly unoriginal – just look at Clarence John Laughlin’s photograph The Repulsive Bed (Barbican: Surreal House 2010) and you’ll clearly see the roots of Emin’s Bed, her one ‘revolutionary’ artwork.

Ono, on the other hand really does seem to be an ambassador for her times, innovative, still fresh and an actual revolutionary. Although much of her work dates back to the ’60s, sadly the points they make are still relevant now: war is still bad, women still have to do things they don’t want to do, and love is definitely still good.

There are only three weeks left of this one – and Hyde Park is for two weeks not full of tourists! So pop down to the Serpentine, write a wish on a tag and tie it to a tree and go and read about free love, gain a little political education and watch John Lennon’s face spin around a screen in a kaleidoscope of LSD-induced psychedelia.

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The oddities of Fanny’s… Farm Shop that is.

Fully embracing our country bumpkin roots, a group of friends and I headed off down to Gatton Bottom, Surrey yesterday to see what the famed Fanny’s Farmhouse had to offer! We heard about the farm shop and tea rooms from one of the girls’ sister, who had been to the Tree House there – Fanny has a Tree House and a Pudding Room you can book for up to twelve people, or there’s the tables in the tea room and outside for us regular folk who just turn up.

Next time we’re thinking of trying to book the Tree House as it apparently comes with a few more varieties of cake!

We managed to get a little sunshine on our side yesterday so we sat in the garden with mini quiches and scones – the food wasn’t amazing, but it was definitely tasty and it’s worth going just to see the place. Fanny has turned hoarding into an art form with curiosities ranging from your standard farm paraphernalia to mannequins and disco balls dotted around the gardens, as well as an assortment of animals.

Fanny herself is a bit of a dragon – I overheard her telling off a waitress,  and she’s not the friendliest of hosts – but she’s an entertaining eccentric, quite mad, and although her scones did not live up to Devonshire standards, she makes the damn best marmalade and jam I’ve ever tasted.

I said I wouldn’t buy anything yesterday due to lack-of-funds, but now that it’s 10am aka marmalade and toast o’clock, I am kicking myself for sticking to budget. When I have a few more pennies on my side I am marching back to Fanny’s, munching cake in her Tree House and bringing back jars and jars of marmalade. Hurrah!

Stone was dry! We were shocked.

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Sunday scrummy sculptures…

I’m home for the weekend so I’ve been baking…3 batches later I have finally perfected stem ginger cookies with a lemon glaze MMM! Yes, home will make me fat.

A couple of people who play with their food slightly more artistically than me are Japanese Akiko Ida and French Pierre Javelle who combine their sculpting and photography skills to produce these witty little tableaus.

Just a bit of fun for a rainy Sunday…


Sunbathing in toffee sauce?
Icky sticky heaven.
Voila! Right time to run off the ginger cookies, I’m doing Race For Life this year so if anyone is feeling charitable, or has ever been entertained by my ramblings, then please help me to help Cancer Research beat cancer once and for all!
I’m running in the RAIN. Come on.

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Huis Clos… surreal, intimate, stunning.

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This series was created by French photographers Amélie Chassary and Lucie Belarbi as an examination of our everyday habits, literally turning each subject into a personification of their daily routines. The title, Huis Clos, derives from a French play and translates literally as ‘in camera’, referring to a private conversation carried out behind closed doors; with this series, people’s privacies are exposed as they openly wear their rituals and routines on their sleeves.

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Simply conducted but effective, and I think they’re pretty darn beautiful.

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Lucas Simões: memories and matchsticks.

Brazilian artist Lucas Simões lives in São Paulo where he melts celluloid prints, cuts up books and makes portraits of his friends from layers and layers of photographs and the aid of an iPod.

Absence

Nostalgia

Adios

Who plays with fire.

I love these very simple but evocative images, go burn some holiday snaps.

Here are a few wonderful words by the artist…

“You tripped us disaster-prone stars

But for the me you were the star between the stars”

“The intimate infinity is
Mine and yours
Has no beginning nor end
But ends in you”

Have a look at his website, he makes all sorts.

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Surrealism Sunday… Man Ray’s Muse.

Happy Mothers’ Day!

I’ve discovered someone fascinating today and it’s all down to my good ole Mum. I was going to write a post on her favourite artist, being the doting daughter I am, she umm-ed and err-ed before saying “oh, I just remembered, have you heard of Lee Miller..?”

I had not, but now I’ve looked into her life and she was an absolutely fascinating model, muse, photographer and Surrealist.

Miller by Man Ray.

The reason Mother mentioned her is that the house she came to settle in for the last thirty-something years of her life is just up the road from us in East Sussex, near Lewes and it’s open to the public from the 1st of April.

Lee Miller and Surrealist writer and second husband Roland Penrose came to Farley Farm House in 1949, and it became an unlikely meeting place for many leading Modern Artists such as Picasso, Max Ernst, Man Ray, Joan Miro, Richard Hamilton…the list goes on… The house is permanently filled with works of art by these and many other big names, and has been preserved “as if Miller has just popped out to gather some vegetables”.

A model for Vogue in 1927 at just twenty years old, leaving New York for Paris at twenty-two to become Man Ray’s assistant-come-muse, Elizabeth Lee Miller began her artistic career  at the centre of the Surrealist movement. She moved back to New York in 1932 at  the age of twenty-five to open her own studio and went on to be a portrait, travel and war photographer.

In 1937 on a trap to Paris, Miller met Roland Penrose and began to attend the Surrealist group, becoming a model for Pablo Picasso, as well as her already close friend Man Ray.

In 1947 after three harrowing years spent as a photojournalist in Second World War Germany and Eastern Europe, Miller finally married and settled with Penrose in England where she contributed to his  biographies of Man Ray, Miro, Picasso and Tapies.

Here are a few beautiful photographs taken of Miller by Man Ray and for Vogue, followed by her own works…

‘Lee Miller’s Neck’ by Man Ray.

‘Lee Miller in Hitler’s Bathtub’ controversial image for Vogue.

Picasso by Miller.

Charlie Chaplin by Lee Miller.

Max Ernst and Dorothea Tanning - have a look at her, personally I think she was an absolutely incredible painter – by Lee Miller.

Women with fire masks, Downshire Hill, London, 1941, Lee Miller.

Woman with hand on head, 1931, Lee Miller.

Nude Bent Forward, 1930, Lee Miller.

…You can tell from ‘Nude-’ that she worked with Man Ray, just look at the similarity in their works….

 So anyway, I now have one trip planned for Easter, I’m going to avoid the London crowds and instead head to a lovely farmhouse to see some world-renowned artists.

Not only can Miller and the Surrealists’ work be seen at the house, this year the first exhibition, Two Painters and a Sculptor, features the wonderful abstract painter David Armitage, emerging Spanish artist Samuel Paradela and Michael Cooper who works with bronze, silver, marble and stone. Plenty!!

Stunning photographs and an amazing life: Lee Miller, Man Ray’s secret muse.

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iPhone Art…more than just Fat Face.

I haven’t blogged since last week, tut tut tut… This is partly due to a nasty nasty man stealing my beloved iPhone from me on Saturday night. Oh well, I guess this is the mess you end up in when you head to a grimy dive bar with a £500 phone in your handbag – uninsured of course!

Anyway, in my hunt for a new baby I’ve discovered quite a few iPhone ‘artists’ – including Mr David Hockney himself!

Hockney is showing in A Bigger Picture, currently on at The Royal Academy – 50 years’ of work including recent iPhone and iPad paintings – not bad  for a 75 year old!

To be honest, although one of the most famous artists of recent years, Hockney’s not really my thing… So here are a few amateur iPhone artists I quite like the look of.

iPhone art, another thing that dirty pickpocket has deprived me of *sniff*

I want to be here….                                    or there….

 

 

 

 

…slightly hideous but I like..

 

 

When I do finally replace my lost one, I may be mucking about with more than Fat Face and Face Blur. Maybe. They are a lot of fun…

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Kim Keever: Turner in a tank.

Looking at Kim Keever’s massive c-prints of mystical landscapes and fantasy worlds you’d think he’s either extremely well travelled (Narnia…Middle Earth…) or a genius with the Photoshopping; however in fact he creates his works by setting up miniature scenes inside a 200 gallon fish tank, filling it with water and various pigments, then throwing a little coloured lighting, and voila! Sandstorms, Jurassic jungles, ice bergs and ancient forests all born out of the same old  goldfish bowl.

So how does he do it…? Keever uses an analogue camera and zero digital editing, so it’s crucial that he catches his construction at just the right millisecond when the pigments are still drifting about to create that painterly ethereal look which all of his works have in common. The scenes are made from a combination of moulded plaster and found objects, and loosely based on real landscapes or paintings so they are simultaneously otherworldly yet eerily familiar.

Keever creates imitations of possible places with dramatic scenery and oversaturated colours which are far more exciting and desirable than the real world.

Definitely JM Turner in a tank, the submerged sublime, Caspar David Friedrich for the fishes.

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Missing you Venice…Francisco Tropa at the Biennale.

I seem to be spending the beginning of this year rooting through every single sunny, blue skied photograph I have – winter blues has really taken hold!

Scenario by Francisco Tropa was one of my favourites from the Venice Biennale last year. Apparently simple but in fact each one a tiny technical masterpiece, Tropa lights up glass pipettes apparently dripping water towards the ceiling, minuscule sand timers, and dead bluebottles somehow slightly twitching and throws their silhouettes onto huge white screens. The strangest thing about the exhibition was how haphazard it seems with  screens dotted all over the room, beams and wooden planks randomly leant against them when in fact it must have been a logistical nightmare.

This Portuguese artist has got it all: brilliant little sculptures and huge ghostly projections. Very impressive.

Tropa isn’t exhibiting in the UK any time soon – he’s at the Istanbul Biennale this year but that’s a little far for most of us – so here’s a little clip instead. It’s almost like you’re in Venice, taking off your sunglasses as you step inside, shoulders warm from the baking sunshine, the taste of lemon gelato still lingering….siiiighhhhh….

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